This was the first time I really enjoyed getting "stuck" with a difficult pose. Like a lot of artists, foreshortening has always filled me with dread, probably because I'm convinced I will fail - so I often do. This time, although I still see problems with my drawing, I was able to relax, let go and feel a little more successful. The foreshortened pose certainly has a lot more drama and vitality. I guess I've let the mathematical precision of linear perspective intimidate me. I realize it comes down to one simple rule: The eye must be the sole judge. Things closer to your eye look bigger than the things farther away.
Dec. 2nd - Sarah
Dec. 9th - K.C.
Dec. 16th - Janet
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| Susan Ishii |
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| Matt Austin |
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| Anita Holle |
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| Ed King |
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| Ed King |
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| Bruce Day |
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| Matt Austin |
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| Sally Rhone-Kubarek |
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| Sally Rhone-Kubarek |
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| Sally Rhone-Kubarek |
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| Susan Ohle |
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| Susan Ohle |
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